Welcome to Elizabeth Olsen Source: your best source for all things related to Elizabeth Olsen. Elizabeth's breakthrough came in 2011 when she starred in critically-acclaimed movies Martha Marcy May Marlene and Silent House. She made her name in indie movies until her role in 2014 blockbuster Godzilla and then as Scarlet Witch/Wanda Maximoff in Marvel's Avengersand Captain America movies. Elizabeth starred in and was an Executive Producer for Facebook Watch's "Sorry For Your Loss". She is currently starring in WandaVision, the first Marvel TV Series on Disney+. She will also be in Marvel's Dr. Strange sequel and hopefully we'll see another indie movie from her! Enjoy the many photos(including lots of exclusives!), articles, and videos on our site!
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Press: The Oral History of ‘WandaVision’

Elizabeth Olsen, Paul Bettany, Kathryn Hahn, Marvel Studios president Kevin Feige, and more tell the story of how the year’s biggest, boldest show came together

ROLLING STONE: It was the monoculture all along. Marvel’s WandaVision debuted on Disney+ on January 16th, timed perfectly for a pandemic-pummeled nation fresh from an assault on its Capitol so outlandish it could’ve been pulled from MCU outtakes. WandaVision was a turducken of cultural comfort food, a loving tribute to sitcom history with supernatural mystery and superheroics bubbling underneath: “a combination of Nick at Nite and Marvel,” in the words of series director Matt Shakman, all of it driven by themes of grief and loss that also fit its era all too well.

With Elizabeth Olsen and Paul Bettany reprising their movie roles as Wanda Maximoff and Vision, fiction’s only witch-synthezoid couple, the show was also the first Marvel Studios TV venture to truly connect to its culture-conquering movies (not to mention the first Marvel project after a lengthy break, since Spider-Man: Far From Home in 2019).

In a major vindication of Disney’s retro, anti-Netflix, once-a-week release schedule, WandaVision topped streaming charts, which, in a stay-at-home-and-stream moment, made it feel like everyone was watching. In the process, it even spawned a hit song of sorts, with “Agatha All Along,” the theme for the show’s villain, Kathryn Hahn’s brassy Agatha Harkness. Here’s a look back at how they pulled it all off.

In 1964, Stan Lee and Jack Kirby created Wanda Maximoff, known from the start in the comic books as the Scarlet Witch. Originally, she was a sort-of villain in the X-Men comics, and later embraced heroism and joined the Avengers. By 1968, Lee’s protégé, Roy Thomas, was writing The Avengers, and needed more members for the team. Thomas (with artist John Buscema) came up with the Vision, loosely inspired by a 1940s character with the same name, and soon began developing a Scarlet Witch-Vision romance.

Roy Thomas: Stan said, “I want the new Avenger to be an android.” So I made up a new Vision, and made him an android. I swiped the diamond symbol on his chest from an old 1940s character I liked called Spy Smasher. John [Buscema] added the jewel on his forehead, which was initially just a design element. I guess in the movies, they made it an Infinity Stone. Somehow it was just natural to have Vision and Scarlet Witch attracted to each other. The whole idea was he was supposed to be a very human robot — in his second appearance I had him shedding tears. So it made sense for him to have a romance. But we didn’t have a lot of women around to have a romance with. Black Widow was taken. The Wasp was taken. And there was the Scarlet Witch, the extra girl at the dance! It worked out well, but it was pretty much luck that it happened. A romance of convenience.

In the comic books over the years, the Scarlet Witch became more and more powerful, and developed a complex relationship with a witch named Agatha Harkness, who tutored her in magic. In the Eighties, Scarlet Witch and Vision tried to settle down in suburbia, and had kids who later turned out to be mystical creations with souls borrowed from a demon. (It happens.) In 2016, the comic-book Vision returned to the suburbs, building a different, robotic family, in a surreal series from writer Tom King and artist Gabriel Hernandez Walta.

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June 02 2021