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Elizabeth Olsen Source

Best Source For All Things Elizabeth Olsen

Welcome to , Elizabeth Olsen Source, your best source for all things related to Elizabeth Olsen. Elizabeth's breakthrough came in 2011 when she starred in critically-acclaimed movies "Martha Marcy May Marlene" and "Silent House". She made her name in indie movies until her role in 2014 blockbuster Godzilla and then as Scarlet Witch/Wanda Maximoff in Marvel's Captain America: Winter Soldier, Avengers: Age of Ultron, Captain America: Civil War, and Avengers: Infinity War. Her recent starring role in Facebook Watch's "Sorry For Your Loss" included her first Executive Producer position. Enjoy the many photos(including lots of exclusives!), articles, and videos on our site!

Press: Elizabeth Olsen on Grief, the Scarlet Witch and Her Next Life

The actress talks about juggling “Sorry For Your Loss” with the Marvel juggernaut, while dreaming up her next great adventures.

 

NY Times – One weekend about four years ago, Elizabeth Olsen found herself in the enviable position of having a pile of scripts to read. Just barely into her career — not counting childhood cameos alongside her older sisters, Mary-Kate and Ashley — she’d already raked in indie accolades for “Martha Marcy May Marlene” and ascended into the Marvel universe as Wanda Maximoff, a.k.a. the Scarlet Witch.

But something about Kit Steinkellner’s pilot for “Sorry for Your Loss,” and the role of Leigh Shaw, a young widow mourning the death of her husband, who either fell off a cliff or jumped, captivated her.

“I was doing a bunch of stuff that felt outside of myself, and I really wanted to be a part of something that’s a little bit more close to home,” Olsen said. Better yet, it came with an offer to be an executive producer.

“Sorry for Your Loss” quickly evolved into a critical darling, with James Poniewozik of The New York Times calling it a “quiet gem.” Season 2, now on Facebook Watch, picks up six months after the death of her husband (Mamoudou Athie, still present in flashbacks) as Leigh moves forward with baby steps: getting his comic book published posthumously, skipping grief group to have sex with her Postmates delivery guy. Then there’s the disconcerting fact that her husband’s brother (Jovan Adepo) has fallen in love with her.

Perhaps because of her paparazzi-hounded siblings, celebrity has never been a pursuit for Olsen, 30, who muses about the children she hopes to have with her fiancé, Robbie Arnett of the band Milo Greene.

“I never wanted to have a certain amount of power in the industry,” she said. “I really do love my job, and I’m happy doing just that and the charity I do, and being as private as possible.”

These are edited excerpts from the conversation.

Grief isn’t something most of us long to confront. So why can’t we turn away from Leigh and her story?

I think going through grief, whether it’s losing a parent or a spouse or a best friend, is a really isolating experience. And I feel like we try and be as authentic to the truth as possible. We also try to handle mental illness and addiction the same way. For a show like ours to hopefully make people not feel alone and to feel seen, that’s a special experience. And the thing that’s been interesting with Facebook is that there’s a built-in community for people, if they want it.

Is there any particular experience you find yourself drawing on to tap into her grief?

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Press: Elizabeth Olsen Shared Details About “WandaVision”

 

 

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STUDIO PHOTOSHOOTS > 2019 > SESSION 008

PUBLIC APPEARANCES > 2019 > OCT 10: BUZZ FEED’ S AM TO DM

 

Buzz Feed – Attention, Marvel fans: Elizabeth Olsen is on board with the idea of an all-women superhero movie.

Olsen, who plays Wanda Maximoff, aka the Scarlet Witch, in the Marvel Cinematic Universe, told BuzzFeed News’ AM to DM morning show that such a movie would have a “huge impact.”

“I think people really love these characters,” she said. “I feel like all the men in Marvel movies have done such a brilliant job with satisfying a lot of things our audiences want, and they’re funny and they’re talented. And so are all the women. And to give them more screentime, I think, would be a huge impact because comics aren’t just for boys who want to watch big boys.”

Fans were thrilled by a scene from Avengers: Endgame in which all the Marvel women joined forces to protect the Infinity Gauntlet.

So it won’t come as too much of a surprise that Brie Larson, aka Captain Marvel, told Variety earlier this week the idea of an all-women movie had been “truly discussed” at the highest levels of Marvel.

“I will say that a lot of the female cast members from Marvel walked up to [Marvel Studios President Kevin Feige] and we were like, ‘We are in this together, we want to do this,’” Larson told Variety, adding: “You know, I’m not in charge of the future of Marvel, but it is something that we’re really passionate about and we love and I feel like if enough people out in the world talk about how much they want it, maybe it’ll happen.”

Olsen said it’s important that Marvel makes films to cater to its diverse fanbase — which includes many women. “Especially when you go to conventions, you really see that,” she said.
Continue reading “Press: Elizabeth Olsen Shared Details About “WandaVision””

Press/Video: Elizabeth Olsen auditioned for ‘Game of Thrones’ but forgot because ‘it was horrible’

 

USA Today – Elizabeth Olsen stopped by “Live with Kelly and Ryan” on Thursday and told the hosts she auditioned for the role of Khaleesi and forgot she even tried out for the role because the experience just went so terribly.

“I also forgot that I auditioned for it,” the “Avengers” star said. “Someone had asked about a terrible audition experience – a journalist, not a good time to remember something like that, and I was like, ‘I actually really love auditioning; I can’t really think of anything, and I was like, ‘Oh! Right! I auditioned for “Game of Thrones.'”

Olsen shared she was reading with the casting director because no one else was available, and she was auditioning the scene where Khaleesi gets burned alive.

“That was the furthest I ever got. It was that bad,” Olsen said.

Kelly Ripa asked the actress if she knows when an audition is going bad.

“It was horrible,” Olsen explained. “This is uncomfortable for me. I’m sure it’s awkward for her, like no one’s going to enjoy this experience.”

Olsen said now she would just tell the casting director if she was having a rough audition rather than going through the whole process. She also noted that even when she gets offered roles, she still asks to audition just to feel out the “vibe.”

Press: Elizabeth Olsen Opens Up for Who What Wear’s September Cover

 

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WHAT WHEN WEAR: A loose linen blouse. An untouched plate of madeleines. An empty French bistro in the Valley on a Tuesday at 4 p.m. These are the poised circumstances under which I spend an afternoon attempting to better understand one of Hollywood’s most discreet young celebrities: Elizabeth Olsen.

The 30-year-old actress’s identity doesn’t seem like it would lend itself to much mystery. Since 2014, Olsen has starred as the Scarlet Witch in Marvel’s superhero movie franchise—one of the most-watched film series in entertainment history. (This summer’s Avengers: Endgame quickly became the second-highest-grossing movie of all time.) It’s a role she’ll reprise later with WandaVision, a Disney+ spin-off series about her superhero character coming spring 2021. In the meantime, Olsen executive produces and stars in Sorry for Your Loss, a drama series following Olsen as Leigh, a young widow struggling to deal with the sudden loss of her husband. (The show airs on Facebook Watch, and its second season premieres October 1.) By any objective measure, business is booming for Olsen, the younger sibling of Ashley and Mary-Kate, who long ago reached a level of fame so behemoth they no longer need a last name. The Olsens are as much American royalty as the Kennedys or the Rockefellers. I should know everything about Elizabeth Olsen.

And yet, as soon as she walks through the door of Petit Trois (the setting she chose for our interview) and introduces herself to me, it sinks in how little I do know. “I’m Lizzie,” she says with a jumpy half-hug, half-handshake—though the awkwardness is entirely my fault. I’m caught off guard that the young starlet lives just outside of L.A., around the corner from where she grew up (I would have pegged her for more of a hip Eastside girl), and I never knew she went by the cozy nickname. “Thanks for coming to the Valley,” she says, smiling.

Following behind two heavy-hitting child stars turned esoteric fashion moguls, Olsen, who decided at a young age to pursue a career in acting (and obtained a degree in it from NYU), had prodigious shoes to fill. Her on-screen breakout, a critically lauded lead in the 2011 Sundance hit Martha Marcy May Marlene, suggested that Olsen would be taking a cleverly divergent route from her older sisters—one of a risk-taking indie cinema darling. Some of her filmography still reflects that identity—roles in quirky small-budget dramedies like 2012’s Liberal Arts and 2017’s Ingrid Goes West.

Continue reading “Press: Elizabeth Olsen Opens Up for Who What Wear’s September Cover”

Press/Gallery: Elizabeth Olsen On Exploring Grief In “Sorry For Your Loss”

We sit down with the actress and executive producer to talk about the meaning of true strength and knowing when it’s time to slow down.

 

COVETEUR – The two times we met Elizabeth Olsen couldn’t be more different. The first, we were dancing all night long and hiking all day in the middle of Utah’s Canyon Point for our mutual friend Andi Potamkin’s wedding at Amangiri. It was one for the books. This time, we swapped the champagne for sparkling water on a packed press day during the pinnacle of TIFF and nestled into a booth to talk about Olsen’s elegant performance (and her debut as executive producer) in Facebook Watch’s episodic series Sorry for Your Loss. Olsen plays Leigh, a bereaved widow struggling to navigate her new life—a role that has her gracefully vacillating between debilitating mourning and comfort in memories (as shown in flashbacks), and the challenges within the banality of everyday life between. The realistic portrayal of grief depicted in Sorry for Your Loss, Olsen tells us, made her re-examine the meaning of true strength (hint: it’s not the antiquated belief that hiding emotion during a time of mourning is a strength). We chatted about what it took to prep for a complex role, her new venture into producing, and played a quick-fire round of Qs.

How did you get involved with this project?

“I had read the script three years ago. I had just gone through, not a death, but a loss and a life adjustment, so I related to my character [and the feeling of] being completely confused about how to move forward. We haven’t really told an authentic story about grief and the everyday—how it’s not something that you go through the stages and get out on the other side. It’s a continual adjustment to your life, and you can’t do anything but move forward.

“I always think about how we all have a backpack of shit that we carry with us from all the trauma that we’ve experienced (or all the loss we’ve had or the pains we’ve gone through) that are unique to each individual person. We walk through life with this weight on our back, but we walk through it anyway; you’re fine, and that’s just you. And then you add an extra loss, or something new, an adjustment, and it becomes a huge new weight—you never lose the weight, it never goes away, you just adjust how you walk through life and move forward. [Sorry for Your Loss] is not fancy and it’s not dramatic, but what I love about the show is that it gets cozy in the mundane and the monotony of that experience, how long it takes, and how it never goes away. You continue to have relationships with this person [you lost].”

Did you find it challenging capturing the complexities of grief?
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