Welcome to , Elizabeth Olsen Source, your best source for all things related to Elizabeth Olsen. Elizabeth's breakthrough came in 2011 when she starred in critically-acclaimed movies Martha Marcy May Marlene and Silent House. She made her name in indie movies until her role in 2014 blockbuster Godzilla and then as Scarlet Witch/Wanda Maximoff in Marvel's Avengersand Captain America movies. Elizabeth starred in and was an Executive Producer for Facebook Watch's "Sorry For Your Loss". She is currently starring in WandaVision, the first Marvel TV Series on Disney+. She will also be in Marvel's Dr. Strange sequel and hopefully we'll see another indie movie from her! Enjoy the many photos(including lots of exclusives!), articles, and videos on our site!

Very Good Girls
Two New York City girls make a pact to lose their virginity during their first summer out of high school. When they both fall for the same street artist, the friends find their connection tested for the first time.

Set during the final days of the admired photo development system known as Kodachrome, a father and son hit the road in order to reach the Kansas photo lab before it closes its doors for good.

Sorry For Your Loss
Her husband's sudden death upends and transforms relationships in Leigh Shaw's life and also forces her to realize how much she didn't know about him.
Facebook Series
Posted on January 13, 2021 / by AliKat in Interviews, Videos, WandaVision

COMICBOOK.COM: WandaVision is going to take a deeper look at its titular characters, Wanda Maximoff and The Vision, than the Marvel Cinematic Universe has done to this point. The characters have appeared in Avengers: Age of Ultron, Captain America: Civil War, Avengers: Infinity War, and one went on for Avengers: Endgame. Despite so many appearances by Elizabeth Olsen and Paul Bettany in these roles, audiences have barely “scratched the surface” on these characters according to WandaVision director Matt Shakman. Now, Olsen has opened up about what some extra time with and evolution of Wanda Maximoff will mean for the Marvel character.

“I know what it means,” Olsen told Comicbook.com in the interview seen in the video above, responding to what it means for Wanda to become a full-on Scarlet Witch. “I do think it is, it’s almost like it’s when I say coming of age story for her, it’s more like coming up of a woman age story. Like you know, you start to come to terms with your past and who you are and take accountability for things and kind of coming to terms with yourself. I’ll say.”

Wanda’s lineage in Marvel Comics adds more importance to her in the Marvel Universe, in addition to being a powerful and integral character on her own. In the books, she is the daughter of X-Men legend Magneto and sister to Quicksilver, with only one of those relationships ringing true in the Marvel Cinematic Universe, so far. As for whether or not those family ties will become an issue, “I don’t know,” Olsen says, simply.

Still, family is definitely going to be an issue for Wanda, as the character will be welcoming her own children to the world in WandaVision. “I think as much as I can understand parenting you would do anything to protect your family and your children,” Olsen says. “I think what it does bring up for her is this reflection of her own experiences from when she was a child and her you know, throughout her family.” It’s a “tough background,” as Olsen calls it, one which has seen Wanda Maximoff lose just about everyone she as loved throughout her MCU tenure (her parents, her brother, her Vision).

Not only did Olsen channel the evolution of Wanda’s tragic story, she also had to do so under a guise of existing in a sitcom which pays honest homage to different eras of such television shows. “It was so nerve-racking and there was a lot of adrenaline, a lot of quick changes, and it totally confused my brain,” Olsen said of shooting in front of a live audience. “I was really grateful when we added the fourth wall!” It took her a minute to understand how to not perform for the audience but feed off of their energy. “I think it was an amalgamation of Mary Tyler Moore and Elizabeth Montgomery and I think I threw in some Lucy in the 70s because there was a good bit of physical comedy.”

Are you excited for WandaVision? Share your thoughts in the comment section or send them my way on Instagram!

WandaVision premieres its first two episodes on Disney+ this Friday.

Posted on January 11, 2021 / by AliKat in Marvel, Videos, WandaVision
Posted on January 11, 2021 / by AliKat in Marvel, Press, WandaVision

VARIETY: ‘WandaVision,’ created by Jac Schaeffer and starring returning Avengers Paul Bettany (Vision) and Elizabeth Olsen (Wanda Maximoff), is by far the strangest addition to the MCU. Warning, spoilers ahead for the new series.

Debuting on Jan. 15 on Disney Plus, this “Twilight Zone” channeling mini-series jumps from decade to decade, with the stars seemingly trapped inside their own (period-appropriate) sitcoms. Each episode is a new decade, and a new collection of TV tropes for audiences to wade through.

In a press conference on Sunday moderated by Jaleel White of “Family Matters” fame, a perfect nod to the many great sitcoms of the past “WandaVision” took inspiration from, the show’s stars and creators answered burning questions, including how Hydra factors into the show and which sitcoms were used for inspiration. Schaeffer, Bettany, Olsen, director Matt Shakman, Kathryn Hahn, Teyonah Parris and President of Marvel Studios Kevin Feige were all in attendance. Read on to find out everything we know so far about the series.

‘WandaVision’ was taped in front of a live studio audience

To add that authentic sitcom feel, the first episode of “WandaVision” (set in the 1950s) was filmed in front of a live studio audience. Though it used to be the norm back in the day — as White pointed out, every episode of “Family Matters” was taped live — the method took Olsen a little getting used to. “It was so nerve-wracking,” Olsen said. “There was a lot of adrenaline, there were a lot of quick changes, and it totally confused my brain… The idea of not playing to an audience, but feeding off an audience and having a camera. I was really grateful when we added the fourth wall.”

Meeting with Dick Van Dyke and sitcom boot camp

In order to remain as authentic as possible, director Shakman and Feige met with sitcom great Dick Van Dyke, who shared his wisdom. “I remember Kevin and I had this amazing lunch with Dick Van Dyke that remains one of the great afternoons of my life. And we asked him, ‘What was the governing principle behind ‘The Dick Van Dyke Show’? Why did it work so well?’ And he said, ‘If it couldn’t happen in real life, it can’t happen on the show,’” Shakman said.

Other aspects of production were also important to the show’s authenticity, such as the production design, cinematography and costumes. But more than anything, Shakman said that he and the cast did research by watching as many sitcoms as they could throughout the decades.

“We watched a ton of old television episodes and talked about how comedy changes because it really does. The approach to comedy in the ’50s, ’60s, ’70s is really different. And as Lizzie said, doing it in front of this live studio audience, which is this quasi-theater-TV thing, it really adds to it,” Shakman said. “Lucille Ball, ‘I Love Lucy,’ Dick Van Dyke – you can feel the energy of that theatrical performance, working with the audience. And then when you get into ’60s shows like “Bewitched” or “I Dream of Jeannie,” it is a fourth wall and all of a sudden, it’s more like doing a movie these days and the laugh track is canned and brought in, which changes the energy, the approach, the style, everything.”

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Posted on January 10, 2021 / by AliKat in Marvel, Press, WandaVision

Marvel’s first series for Disney+ is part drama, part homage to vintage sitcoms, following the misfit heroes played by Elizabeth Olsen and Paul Bettany to some weird places.



NY TIMES: In the time they have spent playing Marvel heroes together, Elizabeth Olsen and Paul Bettany have gotten extremely comfortable with each other. Not even a little misdirected mucus during the making of their new Disney+ series, “WandaVision” — an incident they affectionately describe as “Snotgate” — flustered them for long.

It occurred when their characters — a woman enhanced with psychic powers named Wanda Maximoff (Olsen) and a synthetic android called Vision (Bettany) — shared a kiss in, especially cold weather. And some disagreements remain about the specifics of how it transpired.

“Paul was not in a good mood for me to make a joke about his snot,” Olsen said in a video interview with Bettany last month. “It was my first time ever seeing him get truly defensive about anything.”

Here, Bettany leaned into his camera and replied, sotto voce: “It was her snot. Anyway.”

They agreed that their differences were quickly settled, and now they can laugh about it. “It was over as quickly as it happened,” Bettany said.

Such are the perils of playing a troubled woman and a sophisticated robot who have fallen in love with each other — characters who first met in the 2015 Marvel blockbuster “Avengers: Age of Ultron,” returned for several sequels and now get the chance to carry their own television series when “WandaVision” makes its debut on Jan. 15.

Like its main characters, “WandaVision” is, well, weird. It’s not strictly an action-packed spectacle in the manner of hit movies like “Avengers: Endgame” — it’s a hybrid of drama and comedy that pays faithful homage to vintage sitcoms like “The Dick Van Dyke Show,” “Bewitched” and “Family Ties.”

Now, through circumstances beyond anyone’s control, “WandaVision” has to carry even more weight. When the pandemic prompted Marvel to reshuffle its release calendar, “WandaVision” became the studio’s first attempt to bring the superhero soap opera of the Marvel Cinematic Universe to an original Disney+ series, in hopes that it will do for its comic-book characters what “The Mandalorian” has done for “Star Wars,” another Disney-owned fantasy franchise.

These are unexpectedly high stakes but, like the love-struck misfits they play, the stars of “WandaVision” see them as reasons to be more understanding of each other, snot and all.

As Olsen explained: “It’s daunting to take these movie-theater characters and put them on a small screen. There’s a lot of firsts that are a little scary as an actor.”

Bettany agreed. “We need to feel safe with each other,” he added, “to do the thing we’re doing.”

Both actors entered the Marvel family in unusual ways. Bettany, a star of films like “A Beautiful Mind” and “Margin Call,” was cast in the first M.C.U. movie, “Iron Man,” to play the voice of Tony Stark’s artificial intelligence system, J.A.R.V.I.S.

“I would turn up for one day’s work and solve everyone’s problems,” Bettany said. “I could go, ‘The bad guys are coming, sir!’ And then they would give me a bag of money, and I would go home. It was lovely.”

Bettany was upgraded to an onscreen role for “Age of Ultron,” which also introduced Olsen (“Martha Marcy May Marlene”) as Wanda. At that time, Olsen said: “I was getting typecast as emotionally struggling young women in small genre films. They were like, let’s put her in a bigger genre film and make her the mentally unhealthy struggling hero.”

Though the spotlight shone brighter on co-stars like Chris Evans and Robert Downey Jr., Bettany and Olsen bonded over the strangeness of their enterprise, like a behind-the-scenes debate they observed over whether Vision should have android genitalia. (Mercifully, the answer was no.)

As they went onto films like “Captain America: Civil War,” they found that they shared an appreciation for diligence and preparedness, even on a hectic Marvel set.

At one point on that film, Olsen said, “I asked Paul if he wanted to run lines with me for the next week. And he had his lines memorized for next week. I was like, this is going to be a great working relationship.”

But Vision was seemingly killed in “Avengers: Infinity War,” and the following year, “Endgame” concluded the narrative arcs of major heroes like Iron Man and Captain America.

Marvel was exploring storylines for its next wave of movies when Disney introduced its Disney+ streaming service, with the expectation that Marvel would also provide original content for it.

Kevin Feige, the Marvel Studios president, said that a Disney+ series offered the opportunity to flesh out the relationship between Wanda and Vision that had been only hinted at in the movies.

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Posted on January 10, 2021 / by AliKat in Marvel, Videos, WandaVision
Posted on January 07, 2021 / by AliKat in Videos, WandaVision
Posted on January 07, 2021 / by AliKat in Interviews, Press, Talk Show Appearance, Videos, WandaVision

Elizabeth Olsen also confirmed filming on the Doctor Strange sequel has been delayed.


EW = Elizabeth Olsen can’t share much about her new show WandaVision that hasn’t already been revealed. You know the drill. It’s Marvel. But she did bring a clip with her for Jimmy Kimmel Live this week to show how the Disney+ series will pay homage to classic TV like Bewitched and The Dick Van Dyke Show.

WandaVision, the first TV series in this new Phase Four era for the Marvel Cinematic Universe, sees Wanda Maximoff (Olsen) and Vision (Paul Bettany) living out their suburban dreams, but something is off. Their reality seems like it’s straight out of a television show — multiple shows, in fact — and it’s constantly shifting.

According to Olsen, the episodes of WandaVision start in the style of 1950s television like The Dick Van Dyke Show and progress to each decade of sitcoms. The clip shared on Kimmel shows off the ’60s era, a la Bewitched, when Wanda responds to a noise in the night. “We tried to film each episode as authentically as we could to each decade,” Olsen said, noting how the show filmed in front of a live studio audience for the earlier episodes and used “practical special effects on strings.”

WandaVision will lead directly into the events of the movie Doctor Strange in the Multiverse of Madness. Olsen is currently in London for production on the film, but she confirmed to Kimmel that filming had to take a hiatus due to the most recent lockdown in the U.K. “Since the hospitals are overwhelmed here we can’t go back to work until that calms down,” the actress said. “So, just safely hanging out here and really grateful that I get to be working.”

WandaVision premieres on Disney+ this Jan. 15.


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