VARIETY – Elizabeth Olsen has been appearing in films since she was about four years old, but her acting career began in earnest with the 2011 film “Martha Marcy May Marlene.” Now she’s trying her hand at the small-screen with “Sorry for Your Loss,” a which she not only stars in but also executive produces.
“Long-form has always been interesting to me because all of the different turns a character can take and change and evolve over time,” Olsen tells Variety. “And with Kit [Steinkellner]’s pilot, I just found not only the character could be someone that I immediately felt connection to — it made me laugh, it made me cry — and it was at a time in my life where I was in a transition.”
The show, which will launch the first four episodes at once on Facebook Watch Sept. 18, centers on Olsen’s character Leigh, a recent widow, as she struggles to get through the days without her husband and, to some degree, reassess their relationship since it came to a premature end.
“There are so many stories about love, but the stories about death all feel so sappy to me or melodramatic,” Olsen says, “and I just feel like this handled grief in a palatable way where it can actually be a part of a conversation and be an interesting character study of someone going through an extreme trauma for the first time.”
Continue reading “Press: Elizabeth Olsen on ‘Making Peace’ With Grief in ‘Sorry for Your Loss’”
Elizabeth appeared on the Off Camera show with Sam Jones. You can purchase the whole episode on the website. Here are two previews and the magazine and photoshoot that goes along with it.
Elizabeth Olsen had a very unusual childhood. As the other sister to the Olsen twins, Elizabeth had a front row seat to her sisters’ experience in the spotlight, media circus included, but she also witnessed what it was like to be a working actor—something she wanted to be but was embarrassed to admit. As she says, “I had this fear that people would think I didn’t earn or deserve the things I worked for because of who I was naturally associated with.”
The nepotism critique motivated her to prove her worth, but really, Elizabeth’s a hard worker by nature. After all, you don’t get dubbed NYU’s notorious “Rehearsal Nazi” for nothing. And the hard work paid off because she started getting roles, including the one that led to her breakout performance in Martha Marcy May Marlene, before she graduated college. Since then, Elizabeth has conquered the world of independent film (Wind River, Kodachrome, Ingrid Goes West) and joined Marvel’s Avengers franchise as superhero Scarlet Witch.
She may play a superhero, but she’s still got her head screwed on straight when it comes seeing fame and adulation for what it actually is. She’s the kind of actor who loves the work, the craft, and she’s also the kind of artist who wants to take risks. Her newest project, Sorry for Your Loss, is a Facebook Watch series that explores grief, an uncomfortable subject that isn’t often examined in Western culture. But as you’ll see, Elizabeth will rise to any challenge thrown her way.
Elizabeth joins Off Camera to talk about the biggest lesson she’s learned from her family, why she may be one of the few actors who likes to audition, and why she’s the most Zen type A person you’ll ever meet.
Elizabeth Olsen opens up about experiencing panic attacks, and why she ‘didn’t want anyone to know’ at the time
YAHOO – The statuesque Elizabeth Olsen is the picture of poise, but she has ups and downs, just like the rest of us. The actress revealed to Build on Wednesday that while filming a movie earlier in her career, she began to experience panic attacks.
Olsen was visiting Build to promote her new Facebook Watch show Sorry for Your Loss. When asked about some of the most important lessons she’s learned from other actors, the 29-year-old got candid about her time on the set of a 2012 movie, Red Lights, working with legends like Sigourney Weaver and Robert De Niro.
“I did this movie called Red Lights that no one saw,” she recalled. “It was actually a really weird time in my life because I was experiencing panic attacks for the first time.”
She kept her struggle to herself, however, for fear of professional complications.
“I didn’t want anyone to know, because I thought they wouldn’t insure me or something,” she said.
And it wasn’t just one or two incidents. “I kept having panic attacks while filming, but I didn’t let anyone know. It was really weird.”