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Elizabeth Olsen Source

Best Source For All Things Elizabeth Olsen

Welcome to , Elizabeth Olsen Source, your best source for all things related to Elizabeth Olsen. Elizabeth's breakthrough came in 2011 when she starred in critically-acclaimed movies "Martha Marcy May Marlene" and "Silent House". She made her name in indie movies until her role in 2014 blockbuster Godzilla and then as Scarlet Witch/Wanda Maximoff in Marvel's Captain America: Winter Soldier, Avengers: Age of Ultron, Captain America: Civil War, and Avengers: Infinity War. Her recent starring role in Facebook Watch's "Sorry For Your Loss" included her first Executive Producer position. Enjoy the many photos(including lots of exclusives!), articles, and videos on our site!

Press: Elizabeth Olsen Shared Details About “WandaVision”

 

 

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STUDIO PHOTOSHOOTS > 2019 > SESSION 008

PUBLIC APPEARANCES > 2019 > OCT 10: BUZZ FEED’ S AM TO DM

 

Buzz Feed – Attention, Marvel fans: Elizabeth Olsen is on board with the idea of an all-women superhero movie.

Olsen, who plays Wanda Maximoff, aka the Scarlet Witch, in the Marvel Cinematic Universe, told BuzzFeed News’ AM to DM morning show that such a movie would have a “huge impact.”

“I think people really love these characters,” she said. “I feel like all the men in Marvel movies have done such a brilliant job with satisfying a lot of things our audiences want, and they’re funny and they’re talented. And so are all the women. And to give them more screentime, I think, would be a huge impact because comics aren’t just for boys who want to watch big boys.”

Fans were thrilled by a scene from Avengers: Endgame in which all the Marvel women joined forces to protect the Infinity Gauntlet.

So it won’t come as too much of a surprise that Brie Larson, aka Captain Marvel, told Variety earlier this week the idea of an all-women movie had been “truly discussed” at the highest levels of Marvel.

“I will say that a lot of the female cast members from Marvel walked up to [Marvel Studios President Kevin Feige] and we were like, ‘We are in this together, we want to do this,’” Larson told Variety, adding: “You know, I’m not in charge of the future of Marvel, but it is something that we’re really passionate about and we love and I feel like if enough people out in the world talk about how much they want it, maybe it’ll happen.”

Olsen said it’s important that Marvel makes films to cater to its diverse fanbase — which includes many women. “Especially when you go to conventions, you really see that,” she said.
Continue reading “Press: Elizabeth Olsen Shared Details About “WandaVision””

Press: Elizabeth Olsen Moves On in ‘Sorry for Your Loss’

 

ETOnline – Elizabeth Olsen is moving forward with her life.

In Facebook Watch’s half-hour drama, Sorry for Your Loss, Olsen returns as Leigh Shaw, a young widow struggling to put her life back together following her husband’s unexpected death. The upcoming second season continues Leigh’s complicated journey as she navigated the aftershocks of loss and tries to move on amid revelations of the timeline of her husband’s death.

ET exclusively debuts the first official photos from the sophomore run — six in all — which returns cast members Kelly Marie Tran as Leigh’s sister, Jules; Jovan Adepo as Leigh’s brother-in-law, Danny; Mamoudou Athie as Leigh’s late husband, Matt; and Janet McTeer as Leigh and Jules’ mother, Amy.

Singer-songwriter Julia Michaels also wrote a special song, titled “If You Need Me,” for the new season, inspired by the community formed from the first season, as well as the stories and comments shared by the Sorry for Your Loss official Facebook group. Michaels met with survivors of grief, whose meetings informed the lyrics to the song.

“Even when someone is not with you, you can still feel them with you. I wanted the chorus to be ‘If you need me, I’m there’… even if I can’t physically be there, I’m still there,” Michaels said. “That can be about the person that isn’t visibly here anymore, and it can be about the community they have built within Sorry for Your Loss.”

Creator Kit Steinkellner and season one showrunner Lizzy Weiss spoke to ET last October about exploring the different ways each of their characters experiences grief and the difficult conversations they have about it.

“This is a show that is empathetic to our characters, for all their flaws and shortcomings. They really are trying their best. We love them dearly. We hope what we’re saying about sensitive issues is just in the way we love and support our characters, we love and support the people in our lives who are struggling with these issues and ultimately, our show advocates for understanding and kindness above all else,” Steinkellner said.

“We don’t talk, particularly in American culture, about death. It felt terrifying to most of us, because we have not been raised in a culture where we ask people in our lives, ‘What do you want if you go?’ These are really, really hard questions,” Weiss added. “What is fascinating is there is now a zeitgeist for shows that are touching on grief right now. Maybe there is a movement that’s happening to get people to think about grief and loss differently and face it and have conversations most people don’t have.”

Sorry for Your Loss returns Tuesday, Oct. 1 at 12 p.m. PT/3 p.m. ET with the first three episodes on Facebook Watch.

 

 
 

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TV Series > Sorry For Your Loss (2018) > Season 2 > Episode Stills

 

 

Press: Scarlet Witch Could Defeat Thanos One-on-One, Says Kevin Feige

 

SCREENRANT – Marvel Studios boss Kevin Feige thinks Thanos would have been in trouble without his army in Avengers: Endgame, confirming that Scarlet Witch would have defeated him in a one-on-one battle. In the MCU, Scarlet Witch/Wanda Maximoff is portrayed by Elizabeth Olsen, who made her Marvel debut with Captain America: The Winter Solider. In that film, she shows up in a mid-credits scene where she’s held captive by Baron Strucker. Scarlet Witch then appears with her brother, Quicksilver, in Avengers: Age of Ultron, though her brother ultimately dies saving Hawkeye and a child. Scarlet Witch has since fought with the Avengers in Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame.

At Comic-Con 2019, Marvel discussed Scarlet Witch’s future role in the MCU and on the small screen. She’ll first appear in WandaVision, a TV series for Disney’s upcoming Disney+ streaming service. WandaVision will debut spring of 2021 and feature both Scarlet Witch and Paul Bettany’s Vision. However, it’s unclear how Vision will be brought back, as he died in Avengers: Infinity War. Immediately following WandaVision, Scarlet Witch will feature in Doctor Strange in the Multiverse of Madness, which has a May 7, 2021 release date. Marvel Studios also confirmed that her storyline in the second Doctor Strange will connect to the events of WandaVision.

In an interview with Comic Book (via CBR), Feige shared his belief that Scarlet Witch could have defeated Thanos on her own in Avengers: Endgame. Speaking of her abilities, he said, “Wanda Maximoff, who is probably near the upper echelons of power – I contend she would have taken down Thanos if he hadn’t called the [army], it was done.” Feige also talked about Scarlet Witch’s role in Doctor Strange in the Multiverse of Madness, explaining, “…her being the Scarlet Witch now, as Lizzie said on stage in a full sort of unabashed power-based [way], coming into the Doctor Strange movie, that is two heroes coming together in a fun way.” Scarlet Witch and Doctor Strange are two of the most powerful characters in the MCU, so Feige’s comments clarify why a partnership between the two makes sense.

In the comics, Scarlet Witch receives her powers when she’s born a mutant with superhuman abilities. Her character debuted in The X-Men #4 during the Silver Age of Comic Books. Scarlet Witch and Quicksilver are originally villains, similar to the way the siblings first sided with Ultron in the films. Scarlet Witch first has general hex powers but slowly becomes more powerful as her story goes on. She eventually gains the power to cause specific events and manipulate magic. In the comics, Scarlet Witch is the only one who scares the powerful Phoenix Five.

Feige’s declaration that Scarlet Witch could have defeated Thanos in Avengers: Endgame may seem bold but makes complete sense given her powers. Though they haven’t been shown as much on-screen as in the comics, she’s still a powerful being in the MCU. While most of the original Avengers and supporting characters have one major skill, Scarlet Witch’s powers are broader and thus more inline with the powers of Thanos. Plus, with Thanos responsible for Vision’s death, Scarlet Witch had a more personal reason to take the villain down than some other Avengers. Given Feige’s comments, Thanos made the right decision calling for backup rather than facing Scarlet Witch alone.

Press: Could Marvel’s ‘WandaVision’ Adapt a Fan Favorite Comic?

THE HOLLYWOOD REPORTERElizabeth Olsen’s Disney+ series could be primed to take on ‘House of M,’ the 2005 event story in which Scarlet Witch remade reality following a personal tragedy.

Scarlet Witch, one of comics’ most powerful and complex characters, is arguably the most underserved Avenger in all of the Marvel Cinematic Universe. WandaVision, Marvel Studios’ upcoming streaming series for Disney+, aims to change all that.

The mutant offspring of Magneto in the comics, an “enhanced” member of Earth’s Mightiest Heroes in the MCU, Wanda Maximoff is an exceptionally complicated, broken-not-sprained character in any medium. No better was this explored than in one of Marvel’s greatest stories, the game-changing and tragic House of M, a 2005 event comic from writer Brian Michael Bendis and artist Olivier Coipel in which Wanda reshaped all of reality after the loss of her children. In her new world, mutants reigned supreme, while normal humans were second-class citizens.

Now that the X-Men are back under Marvel Studios’ roof, Wanda and the MCU seem primed to mine some of the rich drama that the House of M built. In doing so, the Disney+ show — which, when first announced, was met with puzzlement bordering on indifference by fandom — could become as important to Marvel’s live-action future as M was to its comic legacy.

“We’re going to have a lot of fun. We’re gonna get weird, get deep and finally understand Wanda Maximoff as Scarlet Witch.” That was the edict revealed from the stage of Marvel’s Hall H panel when Marvel Studios head Kevin Feige announced the overall narrative strategy behind the upcoming WandaVision series, slated for release Spring 2021 on Disney+ and set to spill into the horror-tinged Doctor Strange in the Multiverse of Madness, opening May 7, 2021 and also to feature Olsen’s Wanda.

WandaVision, set after Avengers: Endgame, aims to explore the fallout Vision’s death has on Wanda (Elizabeth Olsen). The best, and most readily available, way to deliver on that is to tell the House of M story through the MCU’s lens.

Continue reading “Press: Could Marvel’s ‘WandaVision’ Adapt a Fan Favorite Comic?”

Press: Doctor Strange In The Multiverse Of Madness Officially Announced; Will Also Star Elizabeth Olsen

COMIC BOOK – In addition to her own Disney+ series, the Scarlet Witch Elizabeth Olsen has also been confirmed to co-star in Marvel Studios’ upcoming Doctor Strange sequel, Doctor Strange in the Multiverse of Madness, which is arguably one of the coolest film titles ever given in the entire Marvel Cinematic Universe.

Benedict Cumberbatch will, of course, return as the Sorcerer Supreme and the film has also been rumored to feature the return of Benedict Wong as Wong, although he wasn’t formally announced during tonight’s presentation.

While the film is still in the pre-production phase as it won’t debut until May 7, 2021, director Scott Derrickson did share a chilling tease, “We are going to make the first scary MCU film,” although Marvel Studios president Kevin Feige did jokingly respond with “It’s gonna be PG-13 and you’re going to like it!”

DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS

Feige introduced the second film in the “Doctor Strange” franchise, “Doctor Strange in the Multiverse of Madness,” and called the director, Scott Derrickson, and star Benedict Cumberbatch to the stage to a rousing welcome.

In a surprise twist, Feige brought out Elizabeth Olsen, who also stars in “Doctor Strange in the Multiverse of Madness,” and they talked about how “WandaVision”—the Disney+ series that Olsen will star in as Wanda Maximoff/Scarlet Witch—connects directly to the feature-film storyline.

“Doctor Strange in the Multiverse of Madness” hits theaters on May 7, 2021.

Press/Gallery: Women of Action: Meet the Stunt Performers Who Help Stars Kick Ass

THE HOLLYWOOD REPORTER – As Scarlet Witch, Elizabeth Olsen doesn’t have a mystical hammer or state-of-the-art suit. Instead, she flings bolts of energy at bad guys while bending and contorting like a Martha Graham dancer. But she still needs a stuntwoman for those tricky moments like when she gets thrown through a restaurant window.

“I love fighting, and I love wrecking through things,” says C.C. Ice, the stuntwoman who got the job. “So if you want to throw me through that door, that’s where I’m going.”

Growing up in a small town in Missouri, one of 13 kids, Ice, 38, was exposed to stunts at a very early age, mostly at the insistence of her five older brothers. “Somebody would have an idea like, ‘Hey let’s jump down the staircase using a trash bag as a parachute. C.C.’s the smallest, let’s have her try it!'” she recalls. By way of a gig as a magician’s assistant (where she learned about blades, fire and how to fall through trap doors without getting hurt), she made her way from Missouri to the East Coast and then to Los Angeles in 2007, just in time for the writers strike. She remembers: “I was like, ‘I’m here!’ and they were like, ‘We’re on strike!’”

Ice found steady pay as a production assistant while training for stunt work on the side. She received her SAG card as a stunt performer in 2011, and moved to Atlanta, following Hollywood productions that were migrating to Georgia to take advantage of film tax breaks. That’s where she ended up landing the gig doing utility stunts on Captain America: Civil War, after which she was paired with Olsen on Avengers: Infinity War, beginning with six months of stunt prep.

So far, the biggest challenge for both actress and double hasn’t been smashing through windows — it’s been pinning down the character’s strange, twisted action moves. Olsen remembers director Joss Whedon visually demonstrating. “He would show us his knees bending lots of weird ways and his fingers going crazy,” recalls the 29-year-old actress, who worked with choreographer Jennifer White on Scarlet’s moves in Age of Ultron. “We were having a really hard time finding people who understood the physical language,” says Olsen. “C.C. elevated us.”

Olsen and Ice’s work will next be seen in the upcoming Avengers film, and, with the plot being kept under lock and key, Scarlet Witch’s fate remains unknown. But, according to Olsen, Ice wil be able to handle it all. “The crazy thing to me about C.C. is she can do anything you ask her to do,” says the actress. “I’ve talked about [her] to so many people.” On a recent set, another actress was recommending her stuntwoman to Olsen. “I was just like, ‘Girl, you don’t even know my stunt person. Let me know if you need a stunt person!’”

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Press: An Emotional ‘Sorry for Your Loss’ Finale Sees Leigh Facing Her Fears

 

COLLIDER – Once you get past the fact that one of the best shows of the year is on Facebook — yes Facebook! — you’ll know that Sorry for Your Loss is indeed worth it. The series follows Leigh Shaw (Elizabeth Olsen), whose husband Matt (Mamoudou Athie) died suddenly three months before we meet her. The first season chronicles the following two months over ten half-hour episodes, as Leigh is still coming to terms with her life without Matt. But from the onset, Sorry for Your Loss is at heart a family drama that includes Leigh’s adopted sister Jules (Kelly Marie Tran), a recovering alcoholic, and their mother Amy (Janet McTeer), who owns a fitness studio where both her daughters work. The series also tracks Leigh’s complicated relationship with Matt’s brother Danny (Jovan Adepo), the only person who really understands the depth of her loss, and her friendships that have suffered in the wake of such a devastating event. It’s a beautiful series that never gets too dark, and yet it doesn’t shy away from frank and difficult discussions about relationships, depression, and grappling with death.

So go watch it! Or finish it. For now, spoilers below.
Continue reading “Press: An Emotional ‘Sorry for Your Loss’ Finale Sees Leigh Facing Her Fears”

Press/Video: “Sorry for Your Loss” at TIFF 2018 – Cast Interview and Review

 

HOLLYWOOD REPORTER: Facebook Watch gets into the quality TV game with a dramatic exploration of grieving and memory starring Elizabeth Olsen, Janet McTeer and Kelly Marie Tran.

In an all-too-glutted landscape of scripted television, the path to programming legitimacy can take a while. It’s one thing to throw a show or two on your cable network or digital platform. It isn’t always the same thing to launch a show that cuts through the clutter and demands the attention of critics and viewers alike.

AMC did it fast with Mad Men. Netflix did it fast with House of Cards. On the other hand, look at Paramount Network and its tough run before Yellowstone. Or look at the number of shows Crackle produces that I could list to probably blank stares.

As an overworked TV critic writing for an overloaded TV-watching audience, it’s my sad duty or my pleasure to report that with Sorry for Your Loss, premiering at the Toronto International Film Festival this weekend and online Sept. 18, Facebook Watch is officially on the board as a potential destination for quality content.

That’s not to malign the reality shows starring Tom Brady and Lonzo Ball or something called Sacred Lies that I keep meaning to watch more of. It also isn’t to say that Sorry for Your Loss is flawless, top-tier television. It’s just the first Facebook Watch show to make me go, “OK, if this were on Showtime or Amazon, this might be in Emmy conversations.”

The series, created by Kit Steinkellner, has a strong pedigree, with Switched at Birth veteran Lizzy Weiss serving as showrunner and James Ponsoldt (The Spectacular Now) directing early installments.

Continue reading “Press/Video: “Sorry for Your Loss” at TIFF 2018 – Cast Interview and Review”

Press/Gallery: Kate Spade Fashion Show

 

ET ONLINE – Kate Spade New York brightened up New York Fashion Week with the brand’s first-ever runway show on Friday.

Debuting new creative director Nicola Glass’ designs, the line, which previously only stuck to presentations, sent colorful wares and whimsical accessories down the pink runway, which paid a special tribute to the late designer who died in June. Spade sold the company in 2006 and stepped down from the brand completely in 2007, but her name continued to remain.

“I feel that all the work I do with the team is a legacy to her because it’s still her name,” Glass told ET’s Kristen Gill. “We were listening to a lot of the tributes after Kate’s passing and one of the phrases that really kept resonating was she left a little bit of sparkle wherever she went and we wanted to use that in a way to tribute her today, so there’s an element of sparkle throughout the collection — whether it’s a touch in the makeup or there’s a line in the middle of the runway that’s this beautiful pink carpet that is a glitter line, so that’s one of the ways were tributing to her.”

Continue reading “Press/Gallery: Kate Spade Fashion Show”