Welcome to Elizabeth Olsen Source: your best source for all things related to Elizabeth Olsen. Elizabeth's breakthrough came in 2011 when she starred in critically-acclaimed movies Martha Marcy May Marlene and Silent House. She made her name in indie movies until her role in 2014 blockbuster Godzilla and then as Scarlet Witch/Wanda Maximoff in Marvel's Avengersand Captain America movies. Elizabeth starred in and was an Executive Producer for Facebook Watch's "Sorry For Your Loss". She is currently starring in WandaVision, the first Marvel TV Series on Disney+. She will also be in Marvel's Dr. Strange sequel and hopefully we'll see another indie movie from her! Enjoy the many photos(including lots of exclusives!), articles, and videos on our site!
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Press: “It’s a New Day”: THR Drama Actress Roundtable

THE HOLLYWOOD REPORTER: Gillian Anderson had been dreading this. A tripod had arrived at her home in the U.K., along with a mess of lights and, really, just the thought of having to sit through an hour-plus on Zoom had her practically reeling. But then the woman who stuns as Margaret Thatcher in the most recent season of Netflix’s The Crown got talking — about pigeonholing and pay equity, about grieving and giving oneself over — and soon she didn’t want to stop talking. And neither did anyone else — The Queen’s Gambit‘s Anya Taylor-Joy, Pose‘s Mj Rodriguez, Genius: Aretha‘s Cynthia Erivo, WandaVision’s Elizabeth Olsen and Ratched‘s Sarah Paulson — at THR’s annual (virtual) Drama Actress Roundtable.

Let’s start easy. Complete this sentence: On set, I’m the one who is most likely to be …

GILLIAN ANDERSON Hiding in a corner. (Laughter.)

ANYA TAYLOR-JOY Pacing whilst moving my hands like this (waving above) trying to figure out what it is that I’m doing.

SARAH PAULSON Bossing everyone around.

ELIZABETH OLSEN Probably trying to make the crew laugh.

At the same time, you’re also inhabiting characters for long stretches and often they require you to go to dark or heavy places. What happens when a director yells, “Cut”? Do they come home with you?

MJ RODRIGUEZ I try to separate myself from Blanca as much as possible, especially [because we’re] dealing with immense trauma. So, when I go home, it’s Michaela Jaé going home, and I bring Blanca to the set. It’s easier that way because it can weigh on you otherwise and wash off on your family.

TAYLOR-JOY I wish I had as much control over it. For me, there are some characters that you can very easily snap in and out of and then there are other ones like Beth in The Queen’s Gambit. I’d worked back-to-back on two projects with one day off in between, so by the time I got to filming the show, I was exhausted and there was no energy to create a barrier. And that was potentially the toughest thing about the show, because it was a wonderful experience as an actor to be able to not have to reach for any emotion, but then you also have to go through the psychological warfare of figuring out, “Why do I feel so awful in the morning?” Like, “What is happening?” And then you go, “Oh, it’s not my feelings,” but I have to sit in them all day and I have to be aware enough to go, “You are not depressed, the character is depressed, and at some point that will leave you.” But I do think a bath every single night — being able to have the visual representation of washing yourself clean of something — helps.

OLSEN Regardless of what exactly the day requires of you, emotionally, you’re just tired. And so you try to be patient and professional and kind, and then when you go home, that’s when your fuse is just … smaller. (Laughter.)

TAYLOR-JOY You should date us, we’re fabulous.

Cynthia, I’ve heard you say that after making Harriet, you had a mini breakdown, and I can’t imagine Aretha was any easier to let go of …
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June 03 2021
Press/Audio: WandaVision fan theories, and why Kathryn Hahn ‘was gonna be so angry’ if anyone else sang ‘Agatha All Along’

The WandaVision cast and creative team are the first guests on the new season of The Awardist podcast, where EW’s Kristen Baldwin and Gerrad Hall kick things off with a look at the Limited Series race.

 

EW: The history books are closed on this year’s Oscars, so Hollywood — and EW with it — is opening a new one focused on this September’s Emmys.

That means a new season of EW’s The Awardist podcast is now underway, kicking off with the cast and creative team behind the blockbuster equivalent of a TV series: WandaVision. The first Marvel television show on Disney+, which debuted in January, is one of the many limited series in contention this year, and we’re breaking down that category as well as lead actor and actress in a limited series/TV movie. In addition to WandaVision’s Elizabeth Olsen and Paul Bettany, stars including Hugh Grant (The Undoing), Kate Winslet (Mare of Easttown), Anya Taylor-Joy (The Queen’s Gambit), Lin-Manuel Miranda (Hamilton), and Michaela Coel (I May Destroy You) are among those vying for a nomination come July 13.

In the case of WandaVision, traditional superhero fare is turned on its head with a story that focused on Wanda’s (Olsen) grief following the death of her beloved Vision (Bettany). But here, she uses her immense powers to manufacture a town and home where Vision is actually alive, and they’re living an idyllic life via the world of comfort-TV shows like those she grew up watching as a child in Sokovia. Add to it Teyonah Parris as S.W.O.R.D. agent Monica Rambeau, and Kathryn Hahn, who plays nosy neighbor Agnes/powerful witch Agatha Harkness, and the stakes are raised by people who are trying to stop Wanda — for reasons both good and bad.

The four actors, along with series head writer/EP Jac Schaeffer and director/EP Matt Shakman, joined The Awardist podcast, where they talked about audience reaction, fan theories, and memes, tackling grief in a profound but entertaining way, and watching Hahn top the iTunes chart with “Agatha All Along” (and besting Justin Bieber in the process). They also reveal their favorites moments from the nine episodes — some of which may surprise you.

You can listen to the full episode of The Awardist below.

Edit: Added the video –

May 13 2021
Press/Gallery: WandaVision’s Elizabeth Olsen on feminism, famous sisters and playing a witch called Wanda

WandaVision’s Elizabeth Olsen on feminism, famous sisters and finding her power.

It’s the biggest show on TV right now and has catapulted Elizabeth Olsen to a level of fame that’s eclipsed her twin sisters, Mary-Kate and Ashley. GLAMOUR’s Entertainment Director & Assistant Editor Emily Maddick meets the down-to-earth ‘Lizzie’ for a candid chat on everything from social media to sorcery, what her siblings have taught her and what female power means to her.

 

GLAMOUR UK: Winding down quintessential English country lanes to the GLAMOUR April digital cover shoot – the first IRL in over a year – with Elizabeth Olsen, superstar of WandaVision, there is a palpable sense of excitement in the air. The theme of this issue is ‘fresh start’ and despite the onset drizzle, one can feel the sense of optimism and hope as the UK starts to open up for spring after our long, long winter of lockdown.

Elizabeth has been living in leafy Richmond [she ‘loves’ it] with her musician fiancé Robbie Arnett since October, while filming another Marvel franchise, Dr Strange 2, alongside Benedict Cumberbatch. “It’s a bonkers movie, they’re definitely going for that horror show vibe,” she tells me.

She’s especially looking forward to her local Petersham Nurseries restaurant opening up again, but today she is being photographed in the beautiful grounds of a 17th century mill house in Surrey. Her appearance in a patterned fuchsia Schiaparelli trouser suit and magenta tie-dyed Christian Dior denim corduroy suit against the backdrop of the English country garden is almost as marvellously incongruous as her portrayal of Wandavision’s suburban ‘housewife’ Wanda Maximoff’s use of magic to make plates fly across the kitchen or rustle up three-course dinners at the click of a finger.

Indeed, the ‘fresh start’ theme for her GLAMOUR cover is a fitting theme for Wanda. For those uninitiated in the complexities of the Marvel Cinematic Universe’s latest offering, each episode of WandaVision blends the style of classic sitcoms through the ages (think Bewitched, The Brady Bunch right up to Modern Family) with Marvel characters, Wanda Maximoff/Scarlet Witch and Vision (co-star Paul Bettany.) It takes place following the events of 2019’s film Avengers: Endgame with the two super-powered beings making a fresh start in an idyllic suburbia as husband and wife, but suspecting that everything is not as it seems. Spoiler Alert! It’s not… and the fantasy starts to unravel – along with Wanda herself.

The show has been heralded as the most feminist of all Marvel outputs to date and touches on a lot of pertinent issues, including mental health, and women’s power and empowerment. In person, Elizabeth in contrast to her on-screen character, seems grounded, open, down-to-earth and, dare I say it, remarkably ‘normal’. In fact, she tells me “‘Just be normal’ is one of my favourite things to say; ‘be normal and be kind.’”

Of course, given her now bonafide A-list status as the star of one of the biggest shows on earth (in February, the Disney+ Marvel spinoff was the most in-demand streamed programme worldwide across all platforms), Elizabeth is anything but normal – as I’m reminded when I clock her whopping great big chauffeur-driven Maserati purring outside the mill house. Her fame has now even eclipsed that of her famous-since-birth twin sisters, Mary-Kate and Ashley. When WandaVision launched in January, legions of fans went into social media meltdown after discovering that Elizabeth was the child-stars-turned fashion designers’ younger sister. (More on them coming up.)
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April 21 2021
Press: Elizabeth Olsen’s 20/21 Vision

The Marvel star takes us inside her transformation to a new kind of hero

 

GRAZIA: Elizabeth Olsen is a trooper. We are in a field in Surrey on the outskirts of the Marvel studios; it’s a biting minus one and she is standing in a Chanel broderie anglaise sundress and increasingly soggy UGG boots. Her feline cheekbones face skywards, but Olsen is slowly sinking into the mud, trilling out high notes to keep herself warm (possibly distracted) and of course with spirits high. “It was the wind I think, that was worse than the sideways rain,” she jokes as we trundle back to the soundstage hangar that we are using as a studio. It’s the kind of moment that could go viral on Instagram, that is, if Olsen were on social media. Yet one of the biggest stars of our current cultural moment is completely offline – and that surprising fact might just be the least interesting thing about her. If anything, it is a sign of how Olsen has come into her own as a confident, decisive star with the power to create her own universe.

On the cusp of her 32nd birthday, Olsen is fastidious and professional, yes, but also bright, engaging, creative, and collaborative. Born and raised in the California sunshine, she is surprisingly at ease in the blustery conditions that deluge the English countryside in late January – or, it’s that she’s very good at acting. “It was one of the ugliest days of this winter – just hilarious – but I knew we wanted the shot,” the 31-year-old actress says.

Since October, Olsen’s been living in the leafy British countryside with her “man-guy-partner,” musician Robbie Arnett, just a short drive to the Surrey compound where Doctor Strange is being filmed. It’s a closed set, masked in secrecy as much as the socially distanced masked crew dotted all over the 200-acre studio. “It feels right being in a small city right now,” she says.

Of course, more than ever, it feels right being an Avenger. Olsen will be reprising her role as Wanda Maximoff (nom de plume Scarlet Witch) in Doctor Strange, following the rampant success of Marvel’s current miniseries (and first foray into television) WandaVision, starring Olsen and Paul Bettany. Olsen has been part of the Marvel cinematic universe (and one of the most successful film franchises of the last decade) since 2014 when she cameoed in Captain America. Bridging nostalgia and action, the buzz of WandaVision is global: from critics to comic book fans, and almost everyone else. It is arguably one of the most meta screen offerings in a long time, arriving on our screens in television’s Renaissance.
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February 19 2021
Press/Gallery: Elizabeth Olsen Is Ready to Lead the MCU

An ambitious new Disney+ series might just give the strongest Avenger the happy ending she deserves.

 

 

ELLE: We can’t keep meeting Elizabeth Olsen like this. By “this,” I mean in the throes of catastrophe or bereavement, or, to put it plainly, when she’s an emotional wreck. In the 2018 Facebook Watch drama Sorry For Your Loss, Olsen assumes the role of Leigh Shaw, a young widow grappling with the unexpected loss of her husband and all the painful nuisances that come with death: the unbearable waves of sadness, the clichéd condolences, a grief support group that runs out of donuts. At one point, Leigh says through a cracked voice, “I’m just mad all the time.” It’s hard not to draw parallels to Olsen’s other angry character. After all, “mad” is exactly how 2015’s Avengers: Age of Ultron introduced us to Wanda Maximoff.

Defined by tragedy since her Marvel debut, Wanda (aka the Scarlet Witch) is an orphan with telekinetic powers. When not saving the world, she spends most of her time onscreen grieving the deaths of her parents, twin brother, or lover. Wanda’s never been allowed to fully exist outside the confines of her grief and anger, but with the launch of WandaVision—Marvel’s foray into serialized content for streaming—she may just be getting the happy ending she deserves.

Partly inspired by The Vision comic book, which follows synthezoid superhero Vision and his family as they move to the suburbs of Washington, D.C., the Disney+ series is an ode to the TV sitcoms we’ve come to love, with Wanda and Vision (Paul Bettany) basking in newlywed bliss—except Vision’s been very dead (killed twice, in fact) since the events of 2018’s Avengers: Infinity War. It’s unclear exactly how these starcrossed characters got to suburbia, but for now, it’s a delight to see the typically solemn duo sink their teeth into slapstick comedy.

“The show is like a blank slate for them,” Olsen tells me over Zoom, her light brown fringe a departure from Wanda’s red waves. The Scarlet Witch’s doleful glare is also long gone; in its place, Olsen’s eyes are wide with excitement. “Wanda and Vision’s journey to this point is a story of pure, innocent love and deep connection with another person,” she explains. “It was also very traumatizing. Tragedy has always been their story. In our show, we kind of wipe that clean and start fresh.”

But Wanda’s complicated past looms over WandaVision. Age of Ultron saw her and her twin brother, Pietro, initially opposing the Avengers (the siblings volunteered for a series of experiments with Hydra—a super evil organization within the MCU—after the deaths of their parents at the hands of Tony Stark’s Stark Industries) before switching sides to help save the Earth. The movie ends in victory for our superheroes, but yet another tragedy for Wanda when Pietro dies in battle. She finds comfort in the arms of Vision, an android created from the remains of Tony’s J.A.R.V.I.S. program, but even that bliss is short-lived. You see, Vision can only live with the help of the Mind Stone, which Mad Titan Thanos needs to take over the universe. In Infinity War, Vision asks Wanda to sacrifice him, and Wanda reluctantly agrees—but Thanos reverses time to gain control of the stone, killing the robot for a second time. Wanda’s pain is palpable: Imagine sacrificing the love of your life to save everyone else, just to watch him brought back to life and killed again—by the very villain you’re trying to defeat.

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January 24 2021
Videos: So Many “WandaVision” Interviews!

I decided to just post them in groups rather than one at a time but it is a bit overwhelming. lol There are more in previous posts. Enjoy!!


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January 20 2021
Press: 17 “WandaVision” Behind-The-Scenes Facts Elizabeth Olsen And Paul Bettany Just Revealed

“I thought it was perfect for television, and a very original idea that made me excited.”

BUZZFEED: To celebrate the highly anticipated release of WandaVision, we sat down with Elizabeth Olsen and Paul Bettany to chat about the first two episodes and what it was like putting Wanda and Vision in this sitcom setting.

Here’s everything we learned:

? There are spoilers ahead for the first two episodes of WandaVision. So, if you haven’t watched them yet, you might want to bookmark this for later. ?

1. First, Paul Bettany found out about WandaVision right after Vision died in Infinity War. In fact, Paul thought he was getting called into Marvel because he was getting fired, not because they wanted to pitch him a show.


“I looked at my wife and I went, ‘I think I’m getting the can.’ I was very nervous as I go over there. I wanted everybody to feel comfortable and not feel icky about the whole thing, because I thought they were going to be gentlemen, and just look me in the face and say, ‘It’s over,'” Paul explained. “So I went in, I said, ‘Look, there’s just absolutely no hard feelings. It’s been a great run. Thank you so much.’ And they were like, ‘Are you quitting?’ And I went, ‘No, aren’t you firing me?’ And they went, ‘No, we were gonna pitch you a TV show.’ That’s how I found out.”

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January 17 2021