- TV SERIES > SORRY FOR YOUR LOSS (2018) > SCREENCAPS > EP 05 “17 UNHEARD MESSAGES” SCREENCAPS
- TV SERIES > SORRY FOR YOUR LOSS (2018) > SCREENCAPS > EP 06 “I WANT A PARTY” SCREENCAPS
I also loaded some new videos in the gallery:
Here is a lovely shoot from 2017 Cannes that was just released. There are three more HQ shots in the gallery.
- STUDIO PHOTOSHOOTS > 2017 > SESSION 044
If I even tell you the project title, it will be a spoiler so everything is behind the cut!
We sit down with the actress and executive producer to talk about the meaning of true strength and knowing when it’s time to slow down.
COVETEUR – The two times we met Elizabeth Olsen couldn’t be more different. The first, we were dancing all night long and hiking all day in the middle of Utah’s Canyon Point for our mutual friend Andi Potamkin’s wedding at Amangiri. It was one for the books. This time, we swapped the champagne for sparkling water on a packed press day during the pinnacle of TIFF and nestled into a booth to talk about Olsen’s elegant performance (and her debut as executive producer) in Facebook Watch’s episodic series Sorry for Your Loss. Olsen plays Leigh, a bereaved widow struggling to navigate her new life—a role that has her gracefully vacillating between debilitating mourning and comfort in memories (as shown in flashbacks), and the challenges within the banality of everyday life between. The realistic portrayal of grief depicted in Sorry for Your Loss, Olsen tells us, made her re-examine the meaning of true strength (hint: it’s not the antiquated belief that hiding emotion during a time of mourning is a strength). We chatted about what it took to prep for a complex role, her new venture into producing, and played a quick-fire round of Qs.
How did you get involved with this project?
“I had read the script three years ago. I had just gone through, not a death, but a loss and a life adjustment, so I related to my character [and the feeling of] being completely confused about how to move forward. We haven’t really told an authentic story about grief and the everyday—how it’s not something that you go through the stages and get out on the other side. It’s a continual adjustment to your life, and you can’t do anything but move forward.
“I always think about how we all have a backpack of shit that we carry with us from all the trauma that we’ve experienced (or all the loss we’ve had or the pains we’ve gone through) that are unique to each individual person. We walk through life with this weight on our back, but we walk through it anyway; you’re fine, and that’s just you. And then you add an extra loss, or something new, an adjustment, and it becomes a huge new weight—you never lose the weight, it never goes away, you just adjust how you walk through life and move forward. [Sorry for Your Loss] is not fancy and it’s not dramatic, but what I love about the show is that it gets cozy in the mundane and the monotony of that experience, how long it takes, and how it never goes away. You continue to have relationships with this person [you lost].”
Did you find it challenging capturing the complexities of grief?
Continue reading “Press/Gallery: Elizabeth Olsen On Exploring Grief In “Sorry For Your Loss””
VARIETY – Elizabeth Olsen has been appearing in films since she was about four years old, but her acting career began in earnest with the 2011 film “Martha Marcy May Marlene.” Now she’s trying her hand at the small-screen with “Sorry for Your Loss,” a which she not only stars in but also executive produces.
“Long-form has always been interesting to me because all of the different turns a character can take and change and evolve over time,” Olsen tells Variety. “And with Kit [Steinkellner]’s pilot, I just found not only the character could be someone that I immediately felt connection to — it made me laugh, it made me cry — and it was at a time in my life where I was in a transition.”
The show, which will launch the first four episodes at once on Facebook Watch Sept. 18, centers on Olsen’s character Leigh, a recent widow, as she struggles to get through the days without her husband and, to some degree, reassess their relationship since it came to a premature end.
“There are so many stories about love, but the stories about death all feel so sappy to me or melodramatic,” Olsen says, “and I just feel like this handled grief in a palatable way where it can actually be a part of a conversation and be an interesting character study of someone going through an extreme trauma for the first time.”
Continue reading “Press: Elizabeth Olsen on ‘Making Peace’ With Grief in ‘Sorry for Your Loss’”
You can watch “Sorry For Your Loss” Episodes 1-4 on #FacebookWatch now!
The link is HERE.
VARIETY – Disney is enlisting Earth’s Mightiest Heroes as the company prepares to launch its upcoming streaming service. The entertainment giant is in early development on an ambitious plan for a number of limited series centered on popular characters from the Marvel Cinematic Universe. These series will likely include shows centered on Loki and the Scarlet Witch, along with other beloved superheroes who have yet to appear in their own standalone movies.
Marvel and Disney had no comment.
There’s an important distinction from other Marvel small screen efforts, however. The actors who portrayed these heroes and villains in the Avengers films and their spin-offs, such as Tom Hiddleston and Elizabeth Olsen, are expected to play them in the streaming shows. Moreover, though sources close to the production are staying mum on the cost of the programming, the budgets are expected to be hefty rivaling those of a major studio productions. Each series is expected to include six to eight episodes. Marvel Studios will produce the shows and Kevin Feige, the guru of all things MCU, is expected to take a hands-on role in their development.
The pricey gamble with one of the crown jewels of the Disney film empire is a sign of how much the company has riding on its direct-to-consumer platform. As companies such as Netflix and Amazon continue to grow their user base, Disney is trying to find a way to establish a toehold in the streaming revolution upending Hollywood. The company has kept the details of the service close to the vest, beyond saying that it will likely cost less than Netflix and will launch at some point in late 2019.
Disney has already started to unwind its licensing deals in order to put as much premium content on the platform as possible. That’s meant that the company is forfeiting billions of dollars in profit, as well as shouldering the cost of developing the technology. The company has announced a number of high-profile projects, including a Star Wars series overseen by “Jungle Book” director Jon Favreau, a show based on “High School Musical,” and a live-action “Lady and the Tramp” film. The company also plans to offer several new releases when it launches, including its live-action “Dumbo” film and “Captain Marvel.”
Many of these projects are expensive bets. The Star Wars series will reportedly cost $100 million and the movies are expected to carry budgets north of $25 million. However, Disney has to spend big to make an impression. Netflix, its main rival, has 125 million subscribers globally and has lured top talent like Ryan Murphy (“American Horror Story”), Kenya Barris (“Black-ish”), and Shonda Rhimes (“Grey’s Anatomy”) to its platform with record-setting deals.